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Chapter 12. Cobra Learns to Belly Dance
Chapter 12. Cobra Learns to Belly Dance

Chapter 12. Cobra Learns to Belly Dance

CobraElizabeth Lin Johnson

Belly Dances To 1970's Sex Liberation

I’d enjoyed soapy showers, then sex with hubby but didn’t feel sexy while caring for babies. Sex was another domestic routine, a chore for his horny rush. I didn't care. It was duty booty. I accepted his need, was pleased he wanted me, was happy to give it but just didn’t feel sexy. If aroused I had to get mine on top first but usually, I was too tired and laid back and let him have it, pleased he wanted it.

As the kids grew out of diapers and choo-choo train baby talk ended, however, we began to emerge from our marriage shell and rejoin peers. Most were still single, partying and sexually experimenting with the new Age of Aquarius. They avoided career, house and kid commitments and considered us bogged down. We were bogged down but happy ever after-ing in our little Camelot.

In the summer of 1974, six years after our wedding bells pealed, just before the kids entered preschool and kindergarten, we made a second trip to Disneyland for the kids, not us. We flew, not drove, rented a car at the airport, stayed and ate in the Disney Hotel and took the monorail to and from the park. The trip reflected our economic rise upward.

With freedom from breastfeeding, diaper changing, midnight baby cry awakening, my seminal sexual yearnings re-emerged. First, it was a new dress or lingerie, then a special dinner with wine, then dancing, and best, with all these ending on our marriage bed.

Our sex, while vanilla, was again satisfying and sketches in the book, Joy of Sex, told us how to experiment for different flavors.

The changing sexual culture swirling around us, however, also shook our marital bed with ideas of greener grass on the other side of the marriage fence, not just doing different positions together.

We didn't talk about it. It was in our marriage closet. By the latter half of the 1970s, the sexual revolution of the sixties was over. Sex had won. Now everyone was "doing it". An eighteen-year-old virgin was a source of ridicule. Couples like us who missed the free love boat were urged to get aboard.

By 1975 middle America Tupperware parties became "Fuckerwear Parties" with a middle class, married woman hosts selling lingerie, lovemaking oils, and sex toys. Pornography was on the big screen with, Deep Throat and Behind the Green Door. Woman’s magazines like Cosmopolitan and Redbook were full of articles titled, How to Experience Sex, Casual and Anonymous Sex, Your Orgasm and even, Should You Start Swinging?

The local newspaper, the San Jose Mercury News, delivered on the front porch, included classifieds filled with couples wanting to meet couples. The Berkeley Barb, a political protest paper, morphed into a thick, classified, sex ads messenger for every depravity. Its yellow paper racks were pervasive at commercial street corners and restaurant entries.

With the pill and before AIDS, there were few ramparts against the onslaught of sex on demand. The media pulled out the stops and advocated sex in the haze of marijuana smoke seeping across suburbia. Commitment meant doing something together, including swinging.

With two kids, we knew about sex. What we didn't know, we knew from magazines, books, newspapers and even television, all now vying to outdo one another in sex education. From them, we were informed, we needed to expand our horizons despite what we knew.

I tested media tips for man-pleasing but like new food recipes, hubby wanted a basic fare of three meals a day and two to three sex romps a week. He did respond to, sexy nighties, lingerie and hula dancing.

The Mountain View city parks and recreation department offered a hula dance class. I enrolled to firm up from childbearing. It required only a twenty-dollar fee, purchase of a grass skirt, weekly class attendance, a neighbor baby sitter during attendance and practice at home when hubby was absent because all it took was a little swaying in the grass skirt and he was on me fast and furious. It appeared a nylon nightie or hula skirt was more exciting than me.

From hula dancing, I graduated to much more difficult belly dancing. I chose the Turkish bedlay style known for its energetic shimmies, hip vibrations and clicking cymbals over the more sedate Egyptian. I made my costume with beads, sequins, and a fringe decorated bra, one stitch at a time.

The "V" shaped hip belt included four layers of coin chains for shimmy emphasis and a lavender chiffon skirt for a dreamlike allure.

Accessories included a chiffon hip/neck shawl, large hoop earrings, bracelets, and slave ankle coin charms.

Movements are accompanied by finger and thumb held brass cymbals, called zils in Turkish, clicked by the dancer to the music tempo.

As with the other students, my costume was not traditional. It was based more on the TV series, I Dream Of Jeannie than an authentic outfit encouraged by our instructor.

She was a plump, middle-aged, former professional belly dancer. The class of about a dozen women was her venue for teaching her art and educating Americans about Turkey, a hobby income supplement to her day job. I learned where Turkey is on the map and that belly dancing is one of the few things which unite opposing Turkish, Arabic, Armenian and Greek cultures. Eventually, hubby and I visited the Middle East where we enjoyed different ethnic professional dances. He of, course their arousal and me their aesthetics.

Belly dancing changed my self-image from a long-necked ugly duckling to a temptress. My costume included a lavender nylon panty except when dancing before hubby due to his rapid response time. Gyrations with cymbals clicking in front of him resulted in being picked up, carried to bed and nailed before I could go through the dance movement.

There are several core movements to master with many variations due to tribal and ethnic nuances, mostly unnoticed by the untrained eye. We learned lifts, drops, slides, shimming, twists, circles, figure eights and finally undulations as we trained muscles to avoid contortion injuries. We also learned to practice when there was no spouse to interrupt.

My flexible body made it easier for me than for other students to master a movement. My "long" neck was ideal for head slides, my bosom, and hips for shimming and my nimble sewing fingers for the cymbals.

My complexion and slanted eyes were assets. I applied heavy eye makeup to emphasize slanted eyes, used Liz Taylor in the movie Cleopatra for inspiration and converted the stigma name tag when young, Cobra, as my stage name.

Tricks mastered are concentration on the movement of one body part, relaxation of other parts, breathing control, joint flexibility and music response. Once a month our instructor took the class out for a performance, typically before a sedate audience of mostly women. Beginners performed in a group but those advanced did a short solo exhibition of their most recent mastered movement.

As I advanced, my dancing empowered me, first with hubby and then with the audience as my movements captured male attention. In belly dancing, one keeps a stoic face while performing but makes eye contact with the audience, especially a singled-out male. I began to enjoy selecting a man in the audience, mesmerize him through movements while keeping indifferent eye contact.

Once the instructor took I and another advanced student to an upscale San Francisco, Middle Eastern restaurant/night club that included belly dancing. We were introduced as novices with no audience money offerings permitted to keep us innocents and avoid the professionals’ resentment.

Introduced on the stage, I gyrated to the darbuka drum and kanoun string guitar, swayed out among crowd, clicked my cymbals to shimmering hips from table to table until before one seating powerful-looking men. I peeked behind my shawl, got their attention, made indifferent eye contact with the table’s alfa male, roped him around the neck and led him behind my undulations back to the stage.

I sat him on a little stage chair and began my performance with hip lifts and drops to the music, advanced to neck and head slides, switched to and from shimmering shoulders, breasts, and hips. I went through each progressive body part movement following the increased tempo of the drum and guitar with body twists, circles, figure eights, to twisting undulations.

Finally, I spread before him, arched back with my torso supported by my buttocks on my heels until my hair touched the floor behind me, spread my knees and with indifferent eye contact went through the finishing crescendo I’d recently mastered. I shimmied shoulders and breasts as my arms did cobra sways, fingers clicked cymbals, head slid from side to side and my eyes fixated stoically at his mesmerized attention and pants-swelled erection. The music and my movements tempo increased until a spasm of sexual exhilaration swept me.

With the music stopped, my instructor-led him back, limping, to his table. I slowly rose up from the floor, exhausted both physically and sexually. Standing, catching my breath, profusely perspiring, I gave my veiled bow to an ebullient ovation. His fixation and the applause caused a sense of sexual attention empowerment never possessed until then. Vixen was hubby’s love box but to me she was now Cobra.

At home, still in dried sweat-stained costume, hubby picked me up before I could shower, stripped me in a frenzy and dropped me on our bed for his fast and furious without words. I climaxed thinking of the man's transfixed gaze before my gyrations and his pants-stressed erection.

Afterward, my cabaret stage partner attempted to contact me through the instructor but she was an experienced mother hen and ensured he never did. I didn’t want to meet him. I wanted him to remain a San Francisco fantasy but his seeking me boosted my self-esteem.

Belly dancing is time-consuming. One needs to keep practicing to ensure flexibility and muscle conditioning to avoid injury. While sexually empowering, my class attendance tapered off after my night club cabaret performance until ceasing when I started work. Hubby was disappointed the costume moved to the back of the closet and eventually to a garage trunk.

Belly dancing, however, changed my self-image to someone sexually alluring, a fundamental change from being man shy to seeking their notice. I became a flirt, thrived for confirmation I was not a long-necked ugly duckling but a Liz Taylor Cleopatra. Flirting was a game of glances, smiles, banter, innuendos and crass suggestions to seek a man's overt move and then hide behind the safety of marriage to decline. Each overt male move provided confidence while it honed my flirting skill. I continued to wear eye makeup, kept the nickname Cobra for my vagina and often darted my tongue out when flirting.

High school friends who visited envied me. Life was good. Yet with the kids away during the day I was bored and still carried some of the low self-esteem of my youth due to monetary dependency on my husband's income. Only flirting assured my self-worth.

Despite having everything, something was missing, an inoculate yearning disrupted happily-ever-aftering.

Author Notes: Life changes from minor decisions which result in unexpected results.

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About The Author
Elizabeth Lin Johnson
About This Story
14 Apr, 2017
Read Time
9 mins
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